Assimilate Scratch + ProRes Raw Explained: Part 1
ProRes RAW is an ideal format for creating wide-gamut, high-dynamic range (HDR) content because it…
Post
ASSIMILATE Creative Boost Online Event
Beyond Color. The Revolution of Finishing. Online Session hosted by Mazze AderholdWednesday, September 16th10am Los…
Ghost Funk Orchestra Honors Singer Songwriter Bill Withers with “For My Friend” Music Video
The 60-member band came together remotely to pay tribute to the late legend Ghost Funk…
Creating PSAs ASAP for Magellan Healthcare
Magellan Healthcare teams up with Sugar Skull Creative and Director/DP Adam Goldfine to quickly create…
Online Event: ASSIMILATE Creative Boost – Remote On-Set Production In A New Era
Join us for our next online session about remote on-set production in a new era….
BBC and Hulu’s Hit Adaptation of Normal People, Produced by Element Pictures, Finished in DaVinci Resolve Studio
Fremont, CA – July 1, 2020 – Blackmagic Design today announced that the hugely popular television…
On-Set. Near-Set. Off-Set. The ASSIMILATE eco-system expands!
Hello everyone, With the rapidly changing landscape of movie production and fewer people on-set, we…
SCRATCH v9 & PIX Dailies Workflow
This video shows how to use SCRATCH to generate perfect h264 files for the PIX…
Turning the Turing Test on its Head in Olivier Orand’s “Thursday Night” Music Video
Director Kays Al-Atrakchi captured the new futuristic music video with a Pocket Cinema Camera 4K…
Assimilate SCRATCH 9.1 Enables End-to-end 8K Workflows with Support for AJA KONA 5; Gains AJA Io 4K Plus Compatibility
Delivers Perfect Dailies and Finishing Workflow for RED 8K Footage AUGUST 20, 2019 – ASSIMILATE –…
SCRATCH 9.1 Overview Tutorial and User Manual are Available!
See What Is New In 9.1 Watch Kevin P. McAuliffe take you through the amazing…
Doug Johnson Productions Brings Events to Life With Blackmagic Design Live Production Workflow
Doug Johnson Productions is a video production company based in Northern Utah that started in…
Elton John’s Rocketman Graded with DaVinci Resolve Studio
Fremont, CA – June 20, 2019 – Blackmagic Design has today announced that its DaVinci Resolve Studio…
Urban Sled’s DaVinci Resolve Studio Workflow: Collaborative Editing, Grading and VFX Without the Conforming
Anyone working in the 80s and 90s in post and broadcast remembers the sneaker net….
Exploring the Wild, Wild West of Indie Filmmaking with “A Prayer for the Damned”
Filmmaker Bryan Harris shot the film with an URSA Mini Pro and used DaVinci Resolve…
NUGEN Audio Seamlessly Integrated for First South American Show Using Dolby Atmos
NUGEN Post Bundle Offers Intuitive and Transparent Control of the Mix for Sound Designer/Re-Recording Mixer…
Assimilate’s SCRATCH Among First to Support Apple’s ProRes RAW
Ubiquitous Format Enables Streamlined Dailies and Post-Production Workflows April 6, 2019 – NAB 2019, Las Vegas…
TANKI, a Feature Film from Russia, Has Worldwide Release on March 15
Brief Tutorial by Dimitri Kali for Post-Production in SCRATCH for TANKI Dimitri Kali’s post-production studio…
Interview: SCRATCH Delivers Flawless Performance for Barend Onneweer’s “Instant Dreams”
Barend Onneweer sees beauty in the perfection of the details for his digital cinema projects…
Avoiding Post Production Nightmares: Behind-the-scenes of “The Nightmare Gallery”
Director Gene Blalock uses DaVinci Resolve 15 Studio for the new horror film’s VFX, editing,…
Indie Thriller Ingenium Goes to the Big Screen
Ingenium Gets Consistent Look from Assimilate’s SCRATCH Indie thriller, Ingenium, was a labor of love…