Exploring the Wild, Wild West of Indie Filmmaking with “A Prayer for the Damned”
Filmmaker Bryan Harris shot the film with an URSA Mini Pro and used DaVinci Resolve…
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NUGEN Audio Seamlessly Integrated for First South American Show Using Dolby Atmos
NUGEN Post Bundle Offers Intuitive and Transparent Control of the Mix for Sound Designer/Re-Recording Mixer…
Assimilate’s SCRATCH Among First to Support Apple’s ProRes RAW
Ubiquitous Format Enables Streamlined Dailies and Post-Production Workflows April 6, 2019 – NAB 2019, Las Vegas…
TANKI, a Feature Film from Russia, Has Worldwide Release on March 15
Brief Tutorial by Dimitri Kali for Post-Production in SCRATCH for TANKI Dimitri Kali’s post-production studio…
Interview: SCRATCH Delivers Flawless Performance for Barend Onneweer’s “Instant Dreams”
Barend Onneweer sees beauty in the perfection of the details for his digital cinema projects…
Avoiding Post Production Nightmares: Behind-the-scenes of “The Nightmare Gallery”
Director Gene Blalock uses DaVinci Resolve 15 Studio for the new horror film’s VFX, editing,…
Indie Thriller Ingenium Goes to the Big Screen
Ingenium Gets Consistent Look from Assimilate’s SCRATCH Indie thriller, Ingenium, was a labor of love…