| Page (1) of 1 - 09/20/06 |
|
|
SWAY started with a live action performance that involved a professionally choreographed dance team. Each member specialized in a particular dance style, including hip-hop, krump and vogueing. Due to the fast-paced routine and individual subtleties of the dancers, SWAY decided not to use motion capture to produce the animation. Instead, SWAY shot the dancers with multiple high-definition cameras, both at normal speed and in slow motion, to fully capture the details and intricacies of their movements. For the commercial, the dancers? movements were interpreted by SWAY?s character animation team to develop the movements for the CG robots.
"In this case, we decided against straight motion capture as the various models of robots had different numbers of arms and legs than the dancers," continues Allardice. "What we wanted was an interpretation of the dancers? routines, rather than a straight recording. The final performance of the robots is a blend of the dancers' skills and our character teams' inspiration."
SWAY utilized a variety of off-the-shelf and proprietary hardware and software to compete the spot. The most prominently used tools were 3ds Max® and Lightwave 3D® for animation, V-Ray for rendering, NUKE? for compositing, and SCRATCH for color grading. The Hyundai Santa Fe spot was directed by John Allardice and produced by Matt Winkel. To view a clip from the commercial, and download stills please visit www.swayftp.com/HyundaiDrumline.htm. About SWAY StudioSWAY Studio is one of the top visual effects shops in North America. SWAY?s aim is to help advertising agencies eliminate traditional views of how their products are seen and enable creative teams to dream big ? if it can be imagined, SWAY can make it happen. There is no limit to what SWAY can accomplish in a photoreal world. The goal is to confuse the viewer into believing that everything is real with no thought about effects. SWAY?s proprietary software has been used to create stunning visual effects and spots for Chevy, Mazda, Pontiac, Nissan, Honda, Hyundai, Hummer, Jeep, Lexus, Toyota and Cadillac. The software replicates the performance of any vehicle with complete precision. Currently located in Westwood, Calf., SWAY is moving its headquarters to Culver City. For additional information on SWAY Studio, visit its website at www.swaystudio.com. CREDITS
Agency:
The Richards Group
Steve Levit Creative Director
Tim Tone Art Director
Terence Reynolds Art Director
Mike Duckworth Copy Writer
Phillip Lopez Broadcast Producer
Ally Collinsworth Producer
Visual Effects
SWAY Studio
John Allardice Director/Editor
Mark Glaser Creative Director
Shira Boardman Executive Producer
Michael Pardee Executive Producer
Matt Winkel Producer
Marc D. Reinzo Compositing Supervisor
Aaron Powell CG Supervisor
Jodi Campanaro Compositor
Maciek Sokalski Compositor
Chris Bankoff Compositor
Daniel Buck Digital Artist
Rob Meyers Digital Artist
Christine Felman Digital Artist
Kyle Toucher Previs
John Karner Lead Animator
Abel Salazar Animator
Tim Ranck Animator
Rob Glaser Animator
Richard Wardlow Technical Director
Carlos Anguiano Technical Director
Terry O?Gara Coordinator
Zak Thornborough Production Supervisor
Jeff Julian Production Designer
Herald Belkar Production Designer
Kishaya Dudley Choreographer
Primal Scream
Nicole Dionne Creative Director/Owner
Scott Burton Producer ###### All brand names, product names, service marks or trademarks belong to their respective holders.
Page: 1
Related Sites: Digital Producer , Hollywood Industry , IBC News , Digital Animators , Animation Artist , Siggraph News , Audio Video Producer , BN - Broadcast Newsroom , Digital Post Production , Film Imaging , Oceania , DMN Newswire , BN - Hardware , BN - Software
Related Newsletter: DMN Newsletter , Waveform Newsletter , CMN Newsletter , Timeline Newsletter , Pixels Newsletter , Renders , Digital Media Net , DMNForums , Tutorial Finder , Review Seeker , BN - Broadcast Newswire


Vegas Pro 8 + Free Vegas Seminar Series
AV-HS450 16+ Input HD/SD Switcher w/ dual screen MultiViewer