Feature:

Indie Films Shot Over Mobile


A trend to expect this year
Indie Films Shot Over Mobile
As smartphones become more portable and their features are continually improved, many are now maximizing their handsets at work. In fact, even filmmakers, especially those who are just starting out in the industry, are using their mobile devices to create award-winning short films. Due to the continuing trend in mobile adoption at video production houses, many organizations have started recognizing individuals who excel in this category. One of the popular award ceremonies for filmmakers is the iPhone Film Festival (IFF) that is now into its fifth year of awarding film makers that use iPhones in shooting their movies. Read More

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Featured News:
Creative Storage Conference
Creative Storage Conference
With indie filmmaking growing in leaps and bounds because of economic, easy-to-use hardware, software, plentiful storage and a growing list of distribution options the Creative Storage Conference will highlight the needs of the expanding industry. Catch it all in Culver City, June 30. Read More
New Release:
Creative Contest Begins
Creative Contest Begins
Think of it as a People's Choice Video Commercial Contest. It's not just a fantastic prize but it gives you a chance to be really, really (go wild) creative. And OWC won't judge the contest. You, your friends and the village of your peers will pick the winners so shoot/create/vote! Read More
New Release:
Creative Contest Begins
Creative Contest Begins
Think of it as a People's Choice Video Commercial Contest. It's not just a fantastic prize but it gives you a chance to be really, really (go wild) creative. And OWC won't judge the contest. You, your friends and the village of your peers will pick the winners so shoot/create/vote! Read More
Project Profile:
Artist of War--Chuck Caldwell
Artist of War--Chuck Caldwell
Today's independent filmmakers never know when their next great film idea will emerge, which is one of the reasons Cirina Catania, of The Catania Group, never leaves home without her basic capture/workflow tools in an on-board Explorer case. On a flight to visit her mother in Pennsylvania, her case included a Blackmagic Pocket camera, Sony A7r, batteries, a small Lumos light, extra SD cards, a Thunderbolt 2 dock, a 4TB OWC ThunderBay 4 mini and a 1TB OWC Envoy Pro EX. She also hand-carried her MacBook Pro and a small tripod. Because of weight and space limitations, tools like extra lenses and other "nice to have" equipment were left behind. Read More
Events:
Rampant Design's 4KFree
Rampant Design's 4KFree
Many companies gear up for NAB SHOW by offering free chotchkies or swag in the form of Tshirts, bottle openers, arm rests, or other items that production and post production teams use. Rampant has decided to launch their 4KFree initiative. Stock footage is something all editors can use. Read More
Interview:
Image Engine Tames "Chappie" Renders with PipelineFX's Qube!
Image Engine Tames
Image Engine was the primary VFX facility on "Chappie", so we were tasked with all the fight sequences, hard-surface character creation, live action animation, comps and lighting jobs that Neill Blomkamp and Sony Pictures requested. Our team consisted of about 150 people working out of the Vancouver office for about a year and half. Read More
Project Profile:
Grading Martian Landscapes with DaVinci Resolve
Grading Martian Landscapes with DaVinci Resolve
Creating a cinematic opening scene for a video game is incredibly hard to do well. You have a couple of minutes to tell a dramatic story that will capture and bring the gamer into a new world, as well as set up the background story and emotions for the countless hours of gameplay about to happen. And for game makers, the opening cinematic has to separate you from the hundreds of other games out there. Read More
Interview:
Alan Bell's Unique Editing a la Fusion
Alan Bell's Unique Editing a la Fusion
Alan Edward Bell is the editor of The Hunger Games and shares with us today his highly specialized editing techniques. With an early career in a range of positions in visual effects and editing on such projects as "Duplicity," "A Few Good Men," "The Green Mile," "Water for Elephants," "The Amazing Spider-Man," and of course the more recent "The Hunger Games: Catching Fire," and "The Hunger Games: Mockingjay" Parts 1 and 2, Alan Bell explains why Fusion is a fundamental part of his very unique editing with compositing process. Read More
Feature:
The Pixel Lab
The Pixel Lab
For several years, owner and designer Joren Kandel has been posting beautiful 3D models on his website: The Pixel Lab. In addition to several free models that are routinely posted on the website, The Pixel Lab has recently offered a bundle of wonderfully detailed 3D objects that will allow you to create a shopping scene. Read More
Feature:
Sapphire 8
Sapphire 8
It is no surprise that Genarts Sapphire sparks hold top marks in the world of high end compositing and visual effects, especially among Autodesk Flame and Smoke artists. The newest version, Sapphire 8 offers some spectacular new possibilities to Adobe After Effects artists as well. Read More

Filmmakers` Contest: OWC Video commercial
TIME TO FLEX YOUR CREATIVITY, and potentially win some useful gear in the process Sometimes companies run contests with limited prizes in an attemp Read More
 
Indie Filmmakers Bring Cinematic Look to "The Great American Movie Hustle" with AJA CION   Upcoming indie feature " The Great A Read More
 
Premiere Clip to Premiere Pro
Adobe PremiereClip is a free app that allows you to edit anywhere on your iPhone or iPad. Your mobile device is an awesome way to start working on a Read More
 
Earth Day / Conserve / Create
This is just cool: As I sit here in California, trying to do my part to conserve water and electricity, OWC is actually creating power. Other W Read More
 
An Insider at NABShow
Yeah - Going from PremiereClip into Adobe After Effects. It's pretty simple - if you have a CreativeCloud subscription, you're only a few clic Read More
 

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