Feature:

Recreating 300's Epic Cliff Jump Shot By Fractal Visuals


Recreating 300's Epic Cliff Jump Shot By Fractal Visuals
Few shots were more iconic than the epic cliff jump shot in Zack Snyder's 300 when Leonidas is traveling to meet with the Ephors. The seemingly unreachable ledge that may just be within grasp, given the proper motivation, stuck with director John Byron Hanby, IV and 10 years later he was lucky enough to be able to pay homage to 300 while Fractal Visuals was making a short film to Silversun Pickup's "Ragamuffin." Hanby walks us through the process of how his team at Fractal Visuals accomplished the epic jump. Read More

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Events:
Content, Streaming Take Center Stage at NAB
Content, Streaming Take Center Stage at NAB
When everything around you is in total chaos, the best thing you can do is change your tag line to give folks the feeling you're in front of the situation. NAB (National Association of Broadcasters) did that with style this year by highlighting the MET (Media & Entertainment Technology) effect. That way, everyone could explain how they met or were meeting the market's demands and needs. Read More
Featured News:
The Universe Expands
The Universe Expands
On the heels of NAB 2017, where Red Giant made a huge gift of Universe to hundreds of motion graphics artists during the annual MMB dinner, Red Giant released Universe 2.1 Read More
Featured News:
Z CAM & ASSIMILATE Partner to Simplify and Demystify VR Productions, Offering the First, Complete, Integrated VR Workflow
Z CAM & ASSIMILATE Partner to Simplify and Demystify VR Productions, Offering the First, Complete, Integrated VR Workflow
Z CAM and ASSIMILATE have joined forces to lower the threshold to entry for producing high-quality VR productions, making it a viable media for all content creators. Creating professional VR/360 experiences has generally been complex and costly, with the myriad decisions and tools needed for a VR workflow - cameras, stitching, and a mix of post-production software. Z CAM and ASSIMILATE have partnered to simplify and demystify VR content creation, offering the first, complete, integrated VR workflow with the Z CAM S1/SCRATCH VR Z Bundle: - from image acquisition with Z CAM's high-performance S1 Professional VR Camera, and stitching with its optimal WonderStitch software, through to a streamlined VR post-production workflow with ASSIMILATE's real-time SCRATCH VR Z tools. Read More
Business Issues:
Content Insider #516 - Content View
Content Insider #516 - Content View
The content industry is all aflutter as they head for Vegas and NAB because things are changing and content delivery, ad production, ad buying people aren't really sure if change is a good thing. Indie filmmakers are seeing new distribution opportunities (ways to get their stuff seen) and content consumers are finding new ways to make their voices heard. As someone recently said, FANG (Facebook, Amazon, Netflix, Google) has mucked up a perfectly good business model and allowed the viewer determine what he/she wants to watch when and where folks want to watch it...and what they don't want to watch! The challenge will be to see how the infrastructure industry handles 7 billion folks picking their own stuff. Maybe the abnormal heart rhythm will become the new normal. Read More
Events:
OWC Hosting Video and Audio Professionals In-Booth Throughout NAB Show
OWC Hosting Video and Audio Professionals In-Booth Throughout NAB Show
Filmmakers will take center stage in OWC's booth - SL8905 - during NAB Read More
Product Review:
Lightworks from Editshare
Lightworks from Editshare
Over the last few years, we have been literally bombarded with video editing packages (NLEs) from all sides. The stalwarts that have been around seemingly for ever such as Adobe's Premiere Pro, Grass Valley EDIUS, AVID products, Final Cut from Apple and Vegas Pro are in that mix and classified as "pro" products, while offerings from Corel, Pinnacle, MAGIX and others have been more aimed at the consumer market. Among all of these, a program that has somewhat been bypassed is Lightworks - now up to version 14 and in its 25th year! Read More
Featured News:
ASSIMILATE Announces New SCRATCH VR Suite 8.6
ASSIMILATE Announces New SCRATCH VR Suite 8.6
ASSIMILATE achieves another virtual reality (VR) breakthrough with its SCRATCH VR Suite 8.6, the new version of its real-time post-production tools and workflow for VR/360 content. With added GPU stitching of 360-video and ambisonic-audio support, as well as live streaming, and more. The SCRATCH VR Suite 8.6 now enables VR content creators - DPs, DITS, post-production artists - with the only professional, streamlined, end-to-end workflow for VR/360 content on the market. Read More
Featured News:
ASSIMILATE Announces SCRATCH 8.6 with Major Updates to Entire Product Line
ASSIMILATE Announces SCRATCH 8.6 with Major Updates to Entire Product Line
The SCRATCH product line, known for its high-performance 2D/3D tools in a single, streamlined workflow - dailies, conform, color grading, compositing, finishing & mastering -continues to evolve in SCRATCH 8.6 as the most efficient post-production tool suite on the market. New product highlights include expanded support for HDR functions, numerous new formats, a more user-friendly UI, and more efficient DIT tools. And notably, it's affordable for everyone. See the new features and functions for SCRATCH 8.6 at https://vimeo.com/202186457. Read More
Project Profile:
Blackmagic Design Unveils the Darker Side of Filmmaking with "She Has a Name"
Blackmagic Design Unveils the Darker Side of Filmmaking with
"She Has a Name," the latest independent film out of the Canada-based Unveil Studios, is a dark documentary-style thriller based on the taboo subject of human sex trafficking. More than a movie for filmmakers and brothers Andrew (writer), Matthew (director/editor/color) and Daniel (director/editor) Kooman, "She Has a Name" is human rights statement designed to remove the public's numbness to what has become a global epidemic. Read More
Product Review:
Vegas Movie Studio Platinum
Vegas Movie Studio Platinum
The familiar light grey facade of the Vegas family has been changed to a black motif in Vegas Movie Studio Platinum (and I suspect this will flow through to Vegas Pro as well. All the kids are doing it!) that is not unattractive. In fact, the whole interface has been made over and somehow looks cleaner and more businesslike. Text descriptions and icons are sharp and clear and if there is any criticism, you may have to change your monitor's contrast a little as on my Dell 27 XPS All-in-One, the vertical lines in the timeline were quite faint. In the past if someone suggested you could get probably 85% of the power of Premiere and After Effects together in a package that sells for under a hundred bucks, you'd think they were barking mad and aiming to be the Pres of the USA perhaps! Read More
Project Profile:
DP Benjamin Gaskell Shoots the Latest Installment of the Witness Project Documentary Series with a Blackmagic URSA Mini 4.6K
DP Benjamin Gaskell Shoots the Latest Installment of the Witness Project Documentary Series with a Blackmagic URSA Mini 4.6K
In late 2015, Smock Media, a Venice Beach-based film and VR production company, and the Victims of Communism (VOC), a Washington, D.C.-based human rights organization, came together and started The Witness Project. Beginning with a two-episode pilot that told the tales of life in communist regimes, the Witness Project debuted at a screening at the Library of Congress and began the greater journey into the victims' stories and inherent strength. Building on that success, Smock Media and VOC decided to expand the series into an eight-episode arch for 2016, with even more slated for later years. DP Benjamin Gaskell was brought on to tackle the first episode of the second installment, which would set the tone for the rest of the documentary series. The episode focused on Anastasia Lin, Miss World Canada 2015 and 2016, and her story. Read More
Featured News:
Contribute to SCRATCH VR Suite 8.6 Open-Beta; Includes Stitching and Expanded HDR
Contribute to SCRATCH VR Suite 8.6 Open-Beta; Includes Stitching and Expanded HDR
ASSIMILATE today announced its most aggressive products update to date with an open-Beta for SCRATCH 8.6 and the SCRATCH VR Suite 8.6, the latest versions of its advanced, real-time post-production tools and workflow -- VR/360 and 2D/3D content, from dailies, to conform, grading, compositing, and finishing. Both open-Beta versions give all content creators and post artists the opportunity to actively use the full suite of SCRATCH and SCRATCH VR tools, while evaluating and submitting requests and recommendations for additional features or updates. Read More
Featured News:
Director Shoots Car Chase Film With JVC GY-LS300 Camcorder
Director Shoots Car Chase Film With JVC GY-LS300 Camcorder
In the motion picture industry, previsualization helps filmmakers provide proof of concept by shooting quick, unpolished versions of complex scenes. Director and action DP Lawrence Ribeiro has directed and shot more than 100 sequences for various films and commercials. When directing his own short film, The Chase, Ribeiro wanted a slick finished product, so he shot with the GY-LS300 4KCAM handheld Super 35 camcorder from JVC Professional Video. Read More
Video:
DJI World - One With Gravity
DJI World - One With Gravity
First DJI production featuring aerials shot on Inspire 2 Read More
Interview:
The Making of VR/360 "Expedition Antarctica"
The Making of VR/360
The Neotopy includes storytellers, filmmakers and sound engineers who specialize in immersive VR/360 cinematic experiences. Their skills and talents make one of their most recent projects, "Expedition Antarctica", a breathtaking VR/360 experience of the nature and wildlife of Antarctica. Alexandre Regeffe recently discussed the development of the VR project and how Neotopy managed the VR/360 post-production process. Read More

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