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There is much more than hardware at the broadcasters' convention
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Feature:
MuxLab unveils Triple Display at NAB
MuxLab unveils Triple Display at NAB
MuxLab unveils its new HDMI/3G-SDI Triple Display (model 500840) at NAB this year. This rack-mount solution takes up two spaces on a standard 19-inch rack and can support three five-inch TFT LCD displays. The ability to view three screens at a time makes it easy for broadcasters to see and measure video performance from remote cameras and other video feeds while saving a significant amount of space. Multiple types of displays are supported including 3G-SDI, 1080p HDMI and composite video with audio. Read More
Featured News:
NAB 2018 - Panasonic and TVU Networks Announce New Camera/IP Management and Delivery Integration
NAB 2018 - Panasonic and TVU Networks Announce New Camera/IP Management and Delivery Integration
With a new integration of Panasonic cameras, TVU Networks, the global technology and innovation leader in live IP video solutions, and Panasonic further their technology collaboration with the introduction of two new video solutions. With these new product integrations, TVU welcomes Panasonic to the TVU ecosystem and TVU Grid featuring IP video switching, routing and distribution. Read More
Interview:
SCRATCH Delivers Flawless Performance for Barend Onneweer's "Instant Dreams"
SCRATCH Delivers Flawless Performance for Barend Onneweer's
Barend Onneweer sees beauty in the perfection of the details for his digital cinema projects that include visual effects, animation, documentaries, feature films, short films, music videos, and more. In his studio, Raamw3rk (www.raamw3rk.net), in Gouda, The Netherlands, he has set up a SCRATCH post-production workflow that gives him flawless performance for perfecting his work. One of his recent projects, the documentary "Instant Dreams", tells the story of a group of scientists who were trying to unravel the chemical formula of the Polaroid camera. Advocates for a new Polaroid camera and former Polaroid-users eagerly await its rebirth. Each person, in their own way, tries to keep their instant dream alive. Read More
Product Review:
ATEN 2-Port Thunderbolt 2 Sharing Switch
ATEN 2-Port Thunderbolt 2 Sharing Switch
Once upon a time, there was a young man - we'll call him Stephen - who worked during the day at a remote location, slaving away for the man; his MacBook Pro was his only way to get work done. At night, he would come home and go to work on his Mac Pro, editing, and writing, and generally doing work that needed to be handled on a beefier computer, with multiple monitors. In fact, much of his work benefited from multiple monitors, but connecting multiple monitors to his MacBook Pro and his Mac Pro was a nightmare at best, as cables needed to be connected and reconnected, potentially ruining ports, and driving Stephen mad as he tried to maintain a neat cabling system. Read More
Events:
BORIS FX showcase at NAB
BORIS FX showcase at NAB
BORISFX has announced some great news for NAB. With the NABShow just around the corner, it is exciting to see what video effects companies are offering artists this spring. Also at NABShow, attendees get an opportunity to see professional skills showcased and shared throughout the hall. Read More
Feature:
Media Content and the Web - Meeting Again for the First Time with VR Casting
Media Content and the Web - Meeting Again for the First Time with VR Casting
Until recently, VR video creators have only been able to distribute content by developing their own apps for sharing. This is a very time intensive, tedious journey and it has presented a major barrier for the next generation of digital content pioneers, preventing them from bringing their productions into the world and reaching broad audiences. However, in February, Pixvana, a Seattle-based company that's powering the future of XR storytelling, introduced a new technology that eliminates this barrier for the creators of immersive media, and makes the distribution of VR content feasible for the masses. Read More
Project Profile:
Student Filmmakers Tackle the All American High School Film Festival with Blackmagic Design
Student Filmmakers Tackle the All American High School Film Festival with Blackmagic Design
Founded in 2013, the All American High School Film Festival (AAHSFF) has quickly become the world's largest high school film festival. Receiving nearly 5,000 films representing 48 states and more than 40 countries, the festival gives a voice to those that have found their passion for filmmaking early. Packed with screenings, workshops, an Interactive Technology Showcase, award show and more, the festival brings together student filmmakers who want to showcase their films and learn from each other, as well as experts in the field. Read More
Case Study:
Live Streaming Regional Emmy Award Gala from Multiple Locations Using TVU Increases Viewership and Member Participation
Live Streaming Regional Emmy Award Gala from Multiple Locations Using TVU Increases Viewership and Member Participation
For the past five years, video production company, Denver Media Center (DMC) has produced live coverage of the Heartland Emmy Award presentations, including pre-show edits and live direction. The Heartland Chapter of the National Academy of Television Arts & Sciences (NATAS) incorporates television markets that make up a large swatch of the expansive western U.S - Colorado, Nebraska, Kansas, Oklahoma and Wyoming. To make new shows more dynamic and reach out to its Oklahoma base, DMC wanted the live event to reflect the dual-location nature of the gala with real-time live feeds from each location. Read More
Feature:
The Making of VR/360 "Expedition Antarctica"
The Making of VR/360
Neotopy includes storytellers, filmmakers and sound engineers who specialize in immersive VR/360 cinematic experiences. Their skills and talents make one of their most recent projects, "Expedition Antarctica", a breathtaking VR/360 experience of the nature and wildlife of Antarctica. Alexandre Regeffe recently discussed the development of the VR project and how Neotopy managed the VR/360 post-production process. Read More
Product Review:
SCRATCH VR
SCRATCH VR
Have you participated in The Void experience at the Disney locations in California and Florida? My friends have been talking non-stop about it for weeks, and it seems people are finally catching on to how immersive an experience VR can be. If you have a 360-degree camera rig, we are at the point now where what was once a neat little gimmick has become a serious contender in the quest to capture viewers. While there are applications that are just starting to introduce the ability to work with 360-degree video, Scratch VR from Assimilate just may be the best application for your next (or first) project. Read More
Feature:
PixelSquid Assets' New Price
PixelSquid Assets' New Price
PixelSquid is changing its subscription model, but in a good way. While it may be true that the price per month is going up, the customizable library of options has gone up as well. For an increase of $5/month over the current subscription cost, new users are coming to PixelSquid with about 4x the options to place 3D objects in their comps. Even better - - if you're already an active subscriber, there's no price change - - and you know about the regularly growing library options. (* if you're new, you can get in on the old price before the change(below)). Read More
Project Profile:
Trick or Treat: Trick Digital Tackles Visual Effects for "Jeepers Creepers III" with Fusion Studio
Trick or Treat: Trick Digital Tackles Visual Effects for
The chills continue in "Jeepers Creepers III," the latest film in the "Jeepers Creepers" franchise. The Creeper was first introduced to audiences in 2001 when it terrorized siblings Trish and Darry Jenner. It then returned to the big screen in 2003 when it attacked a school bus full of high school basketball players and cheerleaders. Now in the third installment, "Jeepers Creepers III" shows what happened in the days between the first two movies when the Creeper was still hunting for victims. Adam Clark of Trick Digital was the film's visual effects (VFX) supervisor who was tasked with bringing the Creeper to life in the new film. Read More
Feature:
Take a VR / 3D Tour of Vogue Super Model Closets
Take a VR / 3D Tour of Vogue Super Model Closets
ROGUE, a creative boutique in NYC (www.postgonerogue.com), specializes in high-end production and post-production for film, advertising, and digital. Since its founding two years ago, Executive Creative Director, Alex MacLean and his team have produced a large body of work demonstrating their expertise in Color Grading, Finishing and Visual Effects with clients like HBO, Vogue, Google, Vice, Fader, and many more. For the past three years MacLean has also been at the forefront of VR/360 content for narratives and advertising, and understands the challenges and rewards of post artists working in VR. Read More
Featured News:
Z CAM & ASSIMILATE Announce Integrated S1 VR Camera and SCRATCH VR Z Bundle for Professionals, Now at $3999
Z CAM & ASSIMILATE Announce Integrated S1 VR Camera and SCRATCH VR Z Bundle for Professionals, Now at $3999
The Z CAM S1/SCRATCH VR Z Bundle - from image acquisition with Z CAM's S1 Professional VR Camera, and stitching with its WonderStitch software, through to a streamlined VR post-production workflow with ASSIMILATE's real-time SCRATCH VR Z tools. With this ease of use and increased productivity, content creators benefit with the ability to focus on their creativity and storytelling rather than wrangling the complexities of technology. Read More
Project Profile:
Filmmaker Cole Claassen Capture the History of Country Music Through the Songs of Singer and Songwriter Dean Dillon
Filmmaker Cole Claassen Capture the History of Country Music Through the Songs of Singer and Songwriter Dean Dillon
How does a chance encounter bring about an on-the-spot decision to make a feature-length documentary? For Cole Claassen it all started with country music. "We wanted to shoot in 4K and had heard so much about the URSA Mini 4.6K," noted Claassen. "Its size was very convenient to our run-and-gun, fast setup format that we were basically regulated to by the celebrity interviewees who were very busy and kind enough to give us the time they did. We needed to be fast when interviewing the artists, and the URSA Mini 4.6K was a great choice for the job." Read More

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