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Bridging the Technology Gap


How to Support Unified Communications in an Audiovisual Environment
Bridging the Technology Gap
Remote collaboration is easier than ever before. From desktops and mobile devices, employees hold ad hoc audio and video conference calls, present and share content, send instant messages, schedule meetings, and more. They use cloud-based applications and unified communications platforms to conduct their communication activities. These kinds of tools are intuitive and familiar to users; they consistently have high adoption rates within the business environment because they are so easy to use. But when employees move to a traditional audiovisual group collaboration venue, they are frequently disappointed and frustrated. Whether it's an executive boardroom, a training facility, or a small auditorium, these rooms often lack access to the popular UC platforms and cloud-based content delivery solutions that employees want to use. Instead, users find collaboration solutions that are not familiar or intuitive. Due to the complexity of these systems, the technology often goes unused. Read More

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Project Profile:
Giving Southern Food the Right Look with Popeyes Louisiana Kitchen and DaVinci Resolve
Giving Southern Food the Right Look with Popeyes Louisiana Kitchen and DaVinci Resolve
Think of Popeyes Louisiana Kitchen and images of warm, savory comfort food probably come to mind. The restaurant's unique "New Orleans" style menu offers southern food items like spicy chicken, chicken tenders, chicken and biscuits and fried shrimp. To make Popeyes' famous food look as good in its broadcast TV commercials as it tastes in real life, colorist Brian Buongiorno of Tone Visuals uses Blackmagic Design's DaVinci Resolve. Read More
Project Profile:
Keeping a Film Look While Shooting in Low Light
Keeping a Film Look While Shooting in Low Light
"Hero of the Underworld" is about redemption. And it takes viewers from high class life to the seedy world of drug dealers and drug dependence. The film is both literally and figuratively showing viewers the dark world of drug life.The characters in "Hero of the Underworld" exist in a dark world, but they also needed to be shown in stark, visible detail. DP and Director of the film John Vincent needed to toe the line of working with a limited lighting package while still keeping every expression of the actors visible. To do this, he chose to shoot "Hero of the Underworld" with the Blackmagic Cinema Camera and grade it using DaVinci Resolve. Read More
Case Study:
Ka-boom puts Facilis TerraBlock at heart of Irish tech revolution
Ka-boom puts Facilis TerraBlock at heart of Irish tech revolution
Ka-boom is one of Northern Ireland's fastest growing Production and Post Production facilities for TV and Film. Our facility boasts full Avid DS, Avid MC 8, Symphony, Final Cut and Pro Tools 5.1 Dubbing Theatre all centrally connected via 10Gb to its Facilis TerraBlock system alongside Northern Ireland's Largest ADR Stage. We work on a mixture of local and international productions and some of our credits include films such as Philomena, Monuments Men, the BBC's Panorama series, and commercials for Subway and BT and. Alongside its Post Production services, we also provide full production services with an experienced team of production staff. Read More
Feature:
DaVinci Resolve Helps Swordfish Mix the Old with the New
DaVinci Resolve Helps Swordfish Mix the Old with the New
As filmmaking continues to advance, it's important to invest in new technology, but also not to forget the traditional art forms and to continue to create in the original mediums. And often times, mixing the old with the new produces an even greater result. Mauricio Baiocchi, senior creative at San Francisco based motion design studio Swordfish, did just that on "Crickets Would Sing," a stop motion animated film based on short stories written by Frances Fabri. Read More
Project Profile:
"The Rivalry" Short Horror Film Shot With One Man Crew and Blackmagic Design
Max Normandin always knew he wanted to be a filmmaker. He dreamed of completing his own film, and decided to forgo traditional training and resources and just do it. To pursue his passion, Max purchased a Blackmagic Cinema Camera and a few accessories, and started shooting his first film. With hard work and a lot of ingenuity, the short horror film, "The Rivalry," was born. Read More
Featured News:
AJA Debuts New Mini-Converters at InfoComm 2015
AJA Debuts New Mini-Converters at InfoComm 2015
AJA Video Systems introduced five new Mini-Converters at InfoComm 2015, the HB-T-HDMI, and the HB-R-HDMI, along with the ROI-DP, FiDO-4T and the FiDO-4R. ROI-DP provides real-time region-of-interest output to HD-SDI video from any DisplayPort enabled computer. The HB-T-HDMI and HB-R-HDMI offer easy extension of UltraHD or HD HDMI signals over Ethernet cable, utilizing the industry standard HDBaseT protocol. FiDO-4T (transmit) and FiDO-4R (receive) conveniently deliver up to four channels of 3G-SDI over fiber on standard LC connectors. Read More
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Kinefinity and ASSIMILATE Partner to Deliver KineRAW Codec and Real-time Post Production to Chinese Filmmaking Market
Kinefinity and ASSIMILATE Partner to Deliver KineRAW Codec and Real-time Post Production to Chinese Filmmaking Market
ASSIMILATE and Kinefinity today announced they are partnering to deliver advanced digital filmmaking solutions to the high-growth Chinese marketplace. The collaboration equips Chinese filmmakers with a streamlined all-in-one, value-priced solution for 2D/3D productions, from image capture with a high-resolution Kinefinity camera (4K, 6K) to using high-performance SCRATCH tools for on-set data management and dailies, and full post production - conform, color grading, versioning, compositing, finishing, and mastering. Read More
Project Profile:
The Woodlands First Baptist Church Seamlessly Transitions into a Connected Campus and Mega Church with Blackmagic Design
The Woodlands First Baptist Church Seamlessly Transitions into a Connected Campus and Mega Church with Blackmagic Design
In 2011, Timothy Thornton officially got tired of traveling the world. But who could blame him? After working in every possible facet of the A/V and live production industries for more than 30 years, Timothy had traveled the globe pushing road cases, hooking up wires and designing systems and workflows for everything from churches and fast food chains to concerts. His company was also involved with the Democratic and Republican Nationals Conventions, the Golden Globes, Grammy Awards and Oscars. Timothy has always had a faith based background, so when The Woodlands, TX based The Woodlands First Baptist Church asked him to revamp its A/V, he put away his suitcases and said yes. In his role as Technical Director of the Media Department, Timothy began by producing several in house events. Read More
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AJA Promotes Dave Sampson to Director of Global Sales
AJA Promotes Dave Sampson to Director of Global Sales
AJA Video Systems announced today that Dave Sampson has been promoted to Director of Global Sales. Sampson has been with AJA for just under five years, and has successfully established and deepened the company's relationships with industry developer partners. Read More
Project Profile:
Director/Cinematographer TJ Derry Adopts AJA CION for Commercial Production
Director/Cinematographer TJ Derry Adopts AJA CION for Commercial Production
In a new spot directed by Toronto-based director and cinematographer TJ Derry, an elaborate photosynthesis experiment proves that Scotts EZ Seed fertilizer helps grass grow almost anywhere, including a basement. Shot on CION at 4K in ProRes 444, with time-lapse footage captured on multiple Canon DSLRs, the spot showcases the beautiful cinematic images from the CION camera on a low light set. Read More

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