|
Review
Ulead MediaStudio Pro 7 Page 2 of 4
If you're not a big mouse user, the keyboard holds special speed tricks for you in MediaStudio Pro 7. Keyboard shortcuts have proliferated throughout, and they make your editing chores go faster. For example, I like the way the M key toggles through the trim modes, letting you make changes with a few quick movements. And, a context-sensitive right click gets you to almost anywhere in the software you need to go. If you don't like that, use the toolbar that includes many of the most often-used commands. I just wish the toolbar were a bit more customizable, but if you need different often-used commands at your fingertips, you can always put them on the Quick Command Toolbar, inside which they will sit wherever you want them to be. Another convenient feature happens when you double-click on the FX track, and it invokes the transitions in the production library -- no hunting around, it's there instantly. [an error occurred while processing this directive] Unfortunately MSP7's color correction controls are rather crude by today's standards. There are no color wheels from which to pick your colors -- just an eye dropper where you can choose a color within the shot, and the rest of the frame is changed to match that color. On the plus side, you can see all your changes in an NTSC or PAL monitor, a crucial feature if you want to know what you're really getting. And, you can globally change the color of all your clips with one swoop, or just adjust each individual shot. Sure, you can adjust the highs, midtones and shadows of the clip, but I would like to see Ulead expand its color correction controls in a subsequent version of MSP, an area where most other pro-level NLEs like Final Cut Pro and Vegas have far surpassed it. So if you have a lot of color correction to do, this is not the application for you. Looking at MSP's effects, there are hundreds of filters, transitions and lots more, adding to the already bountiful collection of effects in earlier versions of this software. An entire book could be written about all these effects, but suffice to say that they are all keyframeable and you can tweak each one to your heart's content. A new filter I especially like is the old film effect, and another standout in the new batch o' fun is a smart blur that can maintain edges (like Photoshop's Unsharp Mask) but softens skin tones at the same time. And, like the color correction (which is itself a filter), you can see results of your adjustments on an NTSC or PAL monitor. Prev 1 2 3 4 Next [an error occurred while processing this directive] ![]() |